The Abominable Snowman (film) - Wikipedia. The Abominable Snowman (US title: The Abominable Snowman of the Himalayas) is a 1. British fantasy- horror film, scripted by Nigel Kneale from his 1.
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BBC teleplay, "The Creature", produced by Hammer Film Productions and directed by Val Guest. The plot follows the exploits of a British scientist (Peter Cushing) who joins an American expedition led by glory- seeker (Forrest Tucker) to search the Himalayas for the legendary Yeti. Maureen Connell, Richard Wattis and Arnold Marle appear in supporting roles. Dr. John Rollason (Peter Cushing), his wife, Helen (Maureen Connell), and assistant, Peter Fox (Richard Wattis), are guests of the Lama (Arnold Marlé) of the monastery of Rong- buk while on a botanical expedition to the Himalayas. A second expedition, led by Dr. Tom Friend (Forrest Tucker) accompanied by trapper Ed Shelley (Robert Brown), photographer Andrew Mc. Nee (Michael Brill) and Sherpa guide Kusang (Wolfe Morris), arrives at the monastery in search of the legendary Yeti or Abominable Snowman.
Rollason, despite the objections of his wife and the Lama, decides to join Friend's expedition. Whereas Rollason is motivated by scientific curiosity to learn more about the creature, Friend seeks fame and fortune and wants to capture a live Yeti and present it to the world's press. The expedition climbs high into the mountains and finds a set of giant footprints in the snow, evidence of the Yeti's existence. As the tensions between Rollason and Friend rise, Mc. Nee is injured by a bear trap laid by Friend to catch the Yeti and later dies in a fall.
The Abominable Snowman (US title: The Abominable Snowman of the Himalayas) is a 1957 British fantasy-horror film, scripted by Nigel Kneale from his 1955 BBC teleplay. · There are few things quite as American as the hunt for Bigfoot, so to celebrate the 4th of July, here are 47 Bigfoot movies ranked.
Kusang flees back to the monastery from where Helen and Fox decide to mount a rescue mission. Meanwhile, Shelley succeeds in shooting and killing a Yeti, an act that enrages the creature's fellows. When Shelley is killed in a failed attempt to catch a live specimen, Friend finally decides to cut his losses and leave with the body of the dead Yeti. The Yeti close in on the two survivors, however, and Friend is killed in an avalanche. Rollason takes refuge in an ice cave and watches in amazement as a number of Yeti arrive and take away the body of their fallen compatriot. He realises the Yeti are an intelligent species biding their time to claim the Earth when humanity has destroyed itself.
The rescue party finds Rollason and brings him back to the monastery where, when questioned by the Lama, he claims the expedition found nothing (apparently the result of telepathic hypnosis by the Yetis). Casting[edit]. John Rollason (Peter Cushing) and Tom Friend (Forrest Tucker) in a scene from The Abominable Snowman. The claustrophobic feel created by Val Guest in the film is evident.
Forrest Tucker as Dr Tom Friend: The American producer Robert L. Lippert co- produced many of Hammer's films in the early 1. The Abominable Snowman. Under these co- production deals, Lippert provided an American star in return for the rights to distribute Hammer's films in the United States. For The Abominable Snowman, Lippert approached Forrest Tucker, who had previously appeared for Hammer in Break in the Circle (1. Val Guest. Nigel Kneale considered Tucker's performance to be on a par with Stanley Baker, who had played the part in The Creature, saying, “Baker played it as a subtle, mean person, Forrest Tucker as more an extroverted bully but they were both good performances and I found very little to choose.
Tucker was, I think, an underrated and very good actor”. According to make- up artist Phil Leakey, Val Guest was disappointed with the casting of Tucker; he recalled, "Forrest Tucker might have been very good at some things but, to many people's minds, acting wasn't one of them and I think he rather spoilt the picture". The Abominable Snowman was the first of three horror films Tucker made in Britain around this time; the others being The Strange World of Planet X (1.
The Trollenberg Terror (1. Peter Cushing as Dr John Rollason: Cushing reprised the role of John Rollason that he had played in The Creature.
At this point in his career, he was best known as a television actor, having starred in productions of Pride and Prejudice (1. Beau Brummell (1.
Cartier/Kneale production of Nineteen Eighty- Four. The Abominable Snowman was his second picture for Hammer; the first had been The Curse of Frankenstein (1. Hammer horror brand. Recalling how the cast and crew were entertained by Cushing's improvisation with props, Val Guest said, “We used to call him 'Props Cushing', because he was forever coming out with props. When he was examining the Yeti tooth, he was pulling these things out totally unrehearsed and we found it very difficult keeping quiet”. The film also stars. Like Cushing, Arnold Marlé and Wolfe Morris reprised their roles from The Creature as the Lama and Kusang, respectively.
Production[edit]Development[edit]Writer Nigel Kneale and television director/producer Rudolph Cartier had collaborated on several BBC dramas, including The Quatermass Experiment (1. Nineteen Eighty- Four (1. George Orwell novel. Their next production had been The Creature, a morality play written by Kneale about a search for the mysterious Yeti in the Himalayas.
Kneale wished to write a story about the Yeti that would "not make him a monster but put a twist on it that really he was better than us". He was influenced by numerous reports of the Yeti that had appeared in the news at the time, including discoveries of footprints by explorer Eric Shipton in 1. Edmund Hillary and Tenzing Norgay on the first complete ascent of Mount Everest in 1. In particular, he was influenced by an unsuccessful 1. Yeti sponsored by the Daily Mail newspaper. The play starred Stanley Baker as Tom Friend and Peter Cushing as John Rollason with Arnold Marlé as the Lama, Eric Pohlmann as trapper Pierre Brosset, Simon Lack as photographer Andrew Mc.
Phee and Wolfe Morris as Nima Kusang. It was broadcast live from Lime Grove Studios on Sunday, 3. January 1. 95. 5 and a repeat performance was broadcast live the following Wednesday, 2 February. The broadcast was not recorded and the only record of the production that survives is a series of screen images, known as tele- snaps, taken by photographer John Cura. The play received mixed reviews: the critic in The Times found it unrealistic and dull. Similarly, Philip Hope- Wallace of The Listener found it “a Boy's Fiction standard with a conversational cut and thrust to the dialogue which sounded as dry and powdery as the snows of the film inserts”. On a more positive note, Peter Black in the Daily Mail found the play to be a “rousing, outdoor adventure story” while Clifford Davis in the Daily Mirror described it as “gripping stuff and, for this viewer, packed with terror”. Watch The Queen Megavideo.
The play was spoofed by The Goon Show in the episode "Yehti", broadcast on 8 March 1. Hammer Films purchased the rights to The Creature on 2 November 1. They had enjoyed success with The Quatermass Xperiment (1. Quatermass serial and would achieve similar success with Quatermass 2 (1.
Val Guest, who had directed the two Quatermass films, was assigned to direct; this would be his third, and last, collaboration with Nigel Kneale. Writing[edit]Nigel Kneale wrote the screenplay, which is a generally faithful adaptation of his original television script, both of which run to approximately 9. It was initially titled The Snow Creature until it was discovered there was a 1.
Bigfoot Movies Ranked. Everyone has a weakness when it comes to the kinds of movies they can’t help but watch despite the sheer quantity of subjectively bad examples. Showtime Full One And Two Online Free. For me that’s Bigfoot movies. Bigfoot. Yeti. Sasquatch. Skunk Ape. Bipedal Bob. The big, hairy legend is known by different names around the world, and the movies about the beast have been equally varied. The majority aren’t all that great, but some aim for laughs and others aim for thrills, making it difficult to compare in any responsible way.
Luckily for you though I’ve never claimed to be all that responsible. Exhibit A? Below is a ranked list of Bigfoot movies. Lots and lots of Bigfoot movies. More Bigfoot movies than any one person should probably watch in their lifetime. And I’ve ranked them… for you.
Because genre and intent vary so much between them I looked at three different factors – 1) the story, or basically what the film does with Bigfoot, 2) the actual look and design of the creature, and 3) the film’s overall entertainment value. With that in mind, here’s the ultimate Bigfoot movie ranking from worst to best! Note: Despite my very strong urge to do so, I’m not including the TV show Bigfoot and Wildboy or the classic Six Million- Dollar Man two- parter where Steve Austin fights Bigfoot.)4. Bigfoot Island (2. Story? Friends cross paths with Bigfoot on an island after (maybe?) assaulting a woman and losing their shirts there the year before. Monster? Imagine a cat coughed up a hairball. What you’re picturing is a more convincing Bigfoot than the one here.
Entertainment? Director David De. Coteau is physically capable of making fun, low- budget movies as evidenced by genre fare like Puppet Master III and Sorority Babes in the Slimeball Bowl- O- Rama, but he appears to have left that talent back in the ‘8. The monster is a joke, and the rest of the movie is one shirtless guy after the next walking, walking, walking through the woods before apparently dying. Bigfoot vs D. B. Cooper (2. Story? Shirtless young men with little guns roam the woods around their rural estate and are soon visited by Bigfoot and D. B. Cooper. Monster?
Pretty sure it’s the same one from above. Entertainment? David De. Coteau returns to the Bigfoot subgenre with equally uninspired results, but hey, at least the end of the film explains why Cooper was never found. Spoiler… he’s Bigfoot? Black Water Sasquatch (2.
Story? Bodies begin piling up in a small town, and while some suspect the killings are related to the growing drug trade others think it could be Bigfoot. Monster? It’s someone in a furry onesie. Entertainment? On the one hand, the film stands apart from the crowd by bringing detectives and drug- related crimes into the mix, but on the other? This is garbage. The Bigfoot shenanigans take a back seat too often to the cops discussing the crimes and the case in bland, poorly shot exchanges. Even when Bigfoot does appear it’s no more exciting. Fear the Forest (2. Story? College kids cross paths with Bigfoot when they head into woods where the beast killed some folks ten years prior.
Monster? Ha! No. He looks like a squat furball with an over- sized head that resembles a Chinese New Year dragon. Entertainment? It’s cool that people love Bigfoot enough to go ahead and make a Bigfoot movie despite having no discernible talents behind the camera, but what are the odds they’d find such an equally skilled cast? This shot- on- video effort feels like a community effort from the direction and editing on through the scoring and creature effects. It’s terrible, and not even the martial arts champion “final girl” can save it.
Wild Men (2. 01. 7)Story? Filmmakers behind a wildlife reality show cross paths with Bigfoot while looking for Bigfoot. Monster? It’s a tall guy in a long- haired costume with a mildly flexible face mask. Entertainment? This is a horrible movie. The characters and performances are painful to watch, and the constant attempts at comedy are like watching the last, desperate breaths of drowning squirrel. But like, a squirrel who’s a real dick. It commits nearly every found footage sin, and the only reason it ranks slightly above De.
Coteau’s double feature of boredom is that its opening text explains that the footage was put through the post- production process thus explaining the edits, musical score, etc. That’s not a reason to watch it though. Curse of Bigfoot (1.
Story? A teacher tells his students about the legend of Bigfoot. Monster? The filmmakers apparently collected roadkill over the course of a few days, sewed the corpses together into an ill- fitting suit, and voila! Bigfoot. Entertainment?
The film mixes documentary- ish footage with narrative portrayals, but you won’t care about any of it. It’s amateur hour from beginning to end, and the disjointed structure ensures there’s nothing compelling people to watch through to the end. Bigfoot vs Zombies (2. Story? When a zombie army threatens humanity, the only being strong enough to stop them is Bigfoot. Obviously. Monster?
This is not a good Bigfoot costume, and they know it. Entertainment? The title suggests a fun sense of humor and possibility, but the execution is every bit as cheap and terrible as you expect. Laughably bad performances look positively Oscar- worthy compared to the script, effects, and direction, but it’s clear this is exactly as intended. Sasquatch: The Legend of Bigfoot (1.
Story? The legend of Bigfoot is explored. Monster? There are several, but aside from seeing them in silhouette as they toss rocks onto a cabin, below they’re pretty much indistinguishable from the shadows.
Entertainment? The film’s narrated like a documentary without the addition of talking heads being interviewed. Instead we’re shown historical/nature documentary footage before we shift into a narrative with the action constantly explained via the narration of someone who was there. I stopped for lunch.
I did this. I did that.” Skip it and eat your own lunch instead. Field Freak (2. 01. Story? A writer and his family cross paths with Bigfoot while staying at a remote cabin. Monster? It’s a dude wearing a saggy, ill- fitting costume that’s about two feet taller than he is. Entertainment? Bigfoot movies are tough enough to get right, but a good Bigfoot comedy is even more of a rarity.
This is not one of those rare ones. The comedy is broad and consistently unfunny, and any hope that the Bigfoot scenes will salvage it are dashed by the arrival of Bigfoot. Night Claws (2. 01. Story? A small town is terrorized by a murderous Bigfoot. Monster? Impossible to see until the very last moments at which point he’s pretty much what you expect.
Entertainment? It opens well with horny teens slaughtered in the back seat of their ‘5. Chevy, but it immediately devolves into a poorly acted/directed slog.
Dialogue and exposition feel endless, and while there’s a mildly interesting turn in the script, it’s not nearly enough to justify a watch. The bigfoot action is shrouded in darkness thanks to some of the worst ‘day for night’ filmmaking you’ve ever seen. It’s like they’ve turned the contrast down and then added a blue filter.
Bigfoot County (2. Story? A filmmaker and his brother cross paths with diddlers while looking for Bigfoot in the forest. Monster? He’s an afterthought and appears only at the very end at a distance.