Aladdin - Wikipedia. Aladdin in the Magic Garden, an illustration by Max Liebert from Ludwig Fulda's Aladin und die Wunderlampe[1]Aladdin (; Arabic: علاء الدين, ʻAlāʼ ad- Dīn, IPA: [ʕalaːʔ adˈdiːn]) is a Middle Easternfolk tale.
It is one of the tales in The Book of One Thousand and One Nights ("The Arabian Nights"), and one of the best known—although it was not part of the original Arabic text, but was added in the 1. Frenchman Antoine Galland. Plot summary[edit]. The Sorcerer traps Aladdin in the magic cave.
Aladdin is an impoverished young ne'er- do- well, dwelling in "one of the cities of China". He is recruited by a sorcerer from the Maghreb, who passes himself off as the brother of Aladdin's late father, Mustapha the tailor, convincing Aladdin and his mother of his good will by pretending to set up the lad as a wealthy merchant. The sorcerer's real motive is to persuade young Aladdin to retrieve a wonderful oil lamp from a booby- trapped magic cave. After the sorcerer attempts to double- cross him, Aladdin finds himself trapped in the cave. Fortunately, Aladdin is still wearing a magic ring the sorcerer has lent him. When he rubs his hands in despair, he inadvertently rubs the ring and a jinnī (or "genie") appears who releases him from the cave so that he can return to his mother, fortunately still carrying the lamp.
Prince Hans of the Southern Isles is the main antagonist of Disney's 2013 animated feature film.
When his mother tries to clean the lamp, so they can sell it to buy food for their supper, a second far more powerful genie appears who is bound to do the bidding of the person holding the lamp. With the aid of the genie of the lamp, Aladdin becomes rich and powerful and marries Princess Badroulbadour, the sultan's daughter (after magically foiling her marriage to the vizier's son). The genie builds Aladdin and his bride a wonderful palace, far more magnificent than the sultan's. The sorcerer hears of Aladdin's good fortune, and returns; he gets his hands on the lamp by tricking Aladdin's wife (who is unaware of the lamp's importance) by offering to exchange "new lamps for old". He orders the genie of the lamp to take the palace, along with all its contents, to his home in the Maghreb. Fortunately, Aladdin still has the magic ring and is able to summon the lesser genie. The genie of the ring cannot directly undo any of the magic of the genie of the lamp, but he is able to transport Aladdin to the Maghreb where, with the help of the "woman's wiles" of the princess he recovers the lamp and slays the sorcerer, returning the palace to its proper place.
Animated. The 1926 animated film The Adventures of Prince Achmed (the earliest surviving animated feature film) combined the story of Aladdin with that of the prince. Genie is an all-powerful spirit (a "jinni") residing in a magical oil lamp and the tritagonist. Here is an alphabetical listing of all the movies (so far) that have been certified as among the 366 weirdest ever made, along with links to films reviewed in capsule. Voice acting is the art of providing voices for animated characters (in films, television series, video games, puppet shows, radio, audio books, amusement rides.
The sorcerer's more powerful and evil brother plots to destroy Aladdin for killing his brother by disguising himself as an old woman known for her healing powers. Badroulbadour falls for his disguise and commands the "woman" to stay in her palace in case of any illnesses. Aladdin is warned of this danger by the genie of the lamp and slays the imposter. Everyone lives happily ever after, Aladdin eventually succeeding to his father- in- law's throne. Sources[edit]No Arabic source has been traced for the tale, which was incorporated into the book Les Mille et Une Nuits by its French translator, Antoine Galland, who heard it from a Syrian storyteller from Aleppo.
Galland's diary (March 2. Maronite scholar, by name Youhenna Diab ("Hanna"), who had been brought from Aleppo to Paris by Paul Lucas, a celebrated French traveller. Galland's diary also tells that his translation of "Aladdin" was made in the winter of 1. It was included in his volumes ix and x of the Nights, published in 1.
John Payne, in Aladdin and the Enchanted Lamp and Other Stories (London 1. Galland's encounter with the man he referred to as "Hanna" and the discovery in the Bibliothèque Nationale in Paris of two Arabic manuscripts containing Aladdin (with two more of the "interpolated" tales). One was written by a Syrian Christian priest living in Paris, named Dionysios Shawish, alias Dom Denis Chavis. The other is supposed to be a copy Mikhail Sabbagh made of a manuscript written in Baghdad in 1. It was purchased by the Bibliothèque Nationale at the end of the nineteenth century. However, modern scholars such as Muhsin Mahdi[2] and Husain Haddawy[3] claim that both manuscripts are forgeries—"back- translations" of Galland's text into Arabic.
Setting[edit]The opening sentences of the story, in both the Galland and the Burton versions, set it in China and imply, at least, that Aladdin is Chinese.[4] On the other hand, there is practically nothing in the rest of the story that is inconsistent with a Persian or Arabian setting. For instance, the Sultan is referred to as such rather being called the "Emperor", as in some re- tellings, and the people we meet in the story are Muslims: their conversation is larded with devout Muslim platitudes.
A Jewish merchant buys Aladdin's wares (and incidentally cheats him), but there is no mention of Buddhists or Confucians (or other distinctively Han Chinese people). China's ethnic makeup has long included Muslim groups, including large populations of the Hui people whose origins go back to Silk Road travellers. In addition, large communities of Muslim Chinese have been known since the Tang Dynasty, as well as Jewish communities.
Some commentators have even suggested that the intended setting may be Turkestan (encompassing Central Asia and the modern Chinese province of Xinjiang).[5]For all this, speculation about a "real" Chinese setting depends on a knowledge of China that the teller of a folk tale (as opposed to a geographic expert) might well not possess.[6]Adaptations[edit]Adaptations vary in their faithfulness to the original story. In particular, difficulties with the "Chinese" setting are sometimes resolved by giving the story a more typical Arabian Nights background. In 1. 96. 2 the Italian branch of Walt Disney Productions published the story Paperino e la grotta di Aladino (Donald and Aladdin's Cave), written by Osvaldo Pavese and drawn by Pier Lorenzo De Vita. As in many pantomimes, the plot is combined with elements of the Ali Baba story: Uncle Scrooge leads Donald Duck and their nephews on an expedition to find the treasure of Aladdin and they encounter the Middle Eastern counterparts of the Beagle Boys. Scrooge describes Aladdin as a brigand who used the legend of the lamp to cover the origins of his ill- gotten gains. They find the cave holding the treasure - blocked by a huge rock requiring a magic password ("Open sesame") to open.[7]One of the many literary retellings of the tale appears in A Book of Wizards (1. A Choice of Magic (1.
Ruth Manning- Sanders."The Nobility of Faith" by Jonathan Clements in the anthology Doctor Who Short Trips: The Ghosts of Christmas (2. Aladdin story in the style of the Arabian Nights, but featuring the Doctor in the role of the genie. Pantomimes[edit]. An 1. 88. 6 theatre poster advertising a production of the pantomime Aladdin. In the United Kingdom, the story of Aladdin was dramatised in 1.
John O'Keefe for the Theatre Royal, Covent Garden.[8] It has been a popular subject for pantomime for over 2. The traditional Aladdin pantomime is the source of the well- known pantomime character Widow Twankey (Aladdin's mother). In pantomime versions, changes in the setting and story are often made to fit it better into "China" (albeit a China situated in the East End of London rather than Medieval Baghdad), and elements of other Arabian Nights tales (in particular Ali Baba) are often introduced into the plot. One version of the "pantomime Aladdin" is Sandy Wilson's musical.
Aladdin, from 1. 97. Since the early 1.
Aladdin pantomimes have tended to be influenced by the Disney animation. For instance, the 2.
Birmingham Hippodrome starring John Barrowman featured songs from the Disney movies Aladdin and Mulan. Disney Theatricals itself produced a Broadway- style musical in Seattle in 2.
Toronto in 2. 01. Broadway in 2. 01. Watch Into The Storm Full Movie. Aladdin and the Wonderful Lamp (1. Animated. The 1. 92.
The Adventures of Prince Achmed (the earliest surviving animated feature film) combined the story of Aladdin with that of the prince.