Chris Harrison, 45, spoke out for the first time about the Bachelor in Paradise incident by issuing an lengthy statement about the sexual misconduct that allegedly. On the Road is a novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of. Released today on iOS and Android, Battlejack is a mobile collectible character RPG that uses traditional card game Blackjack to resolve its battles. It’s a very. The Hollywood Reporter is your source for breaking news about Hollywood and entertainment, including movies, TV, reviews and industry blogs.

On the Road - Wikipedia. On the Road is a novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of the postwar Beat and Counterculture generations, with its protagonists living life against a backdrop of jazz, poetry, and drug use. The novel, published in 1. Beat movement, such as William S. Burroughs (Old Bull Lee), Allen Ginsberg (Carlo Marx) and Neal Cassady (Dean Moriarty) represented by characters in the book, including Kerouac himself as the narrator Sal Paradise.

The idea for On the Road, Kerouac's second novel, was formed during the late 1. April 1. 95. 1. It was first published by Viking Press in 1. After several film proposals dating from 1. On the Road (2. 01. Francis Ford Coppola and directed by Walter Salles.

When the book was originally released, The New York Times hailed it as "the most beautifully executed, the clearest and the most important utterance yet made by the generation Kerouac himself named years ago as 'beat,' and whose principal avatar he is."[1] In 1. Modern Library ranked On the Road 5.

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English- language novels of the 2. The novel was chosen by Time magazine as one of the 1. English- language novels from 1. Production and publication[edit]After Kerouac dropped out of Columbia University, he served on several different sailing vessels before returning to New York to write.

He met and mixed with Beat Generation figures Allen Ginsberg, William Burroughs, and Neal Cassady. Between 1. 94. 7 and 1. The Town and the City (1.

Kerouac engaged in the road adventures that would form On the Road.[3] Kerouac carried small notebooks, in which much of the text was written as the eventful span of road trips unfurled. He started working on the first of several versions of the novel as early as 1. However, he remained dissatisfied with the novel.[4] Inspired by a 1. Neal Cassady, Kerouac in 1. Essentials of Spontaneous Prose" and decided to tell the story of his years on the road with Cassady as if writing a letter to a friend in a form that reflected the improvisational fluidity of jazz.[5] In a letter to a student in 1. Kerouac wrote: "Dean and I were embarked on a journey through post- Whitman America to FIND that America and to FIND the inherent goodness in American man.

It was really a story about 2 Catholic buddies roaming the country in search of God. And we found him."[6]The first draft of what was to become the published novel was written in three weeks in April 1. Kerouac lived with Joan Haverty, his second wife, at 4. West 2. 0th Street in New York City's Manhattan. The manuscript was typed on what he called "the scroll"—a continuous, 1.

The roll was typed single- spaced, without margins or paragraph breaks. In the following years, Kerouac continued to revise this manuscript, deleting some sections (including some sexual depictions deemed pornographic in the 1. Kerouac wrote a number of inserts intended for On the Road between 1. Visions of Cody (1. On the Road was championed within Viking Press by Malcolm Cowley and was published by Viking in 1. Besides differences in formatting, the published novel was shorter than the original scroll manuscript and used pseudonyms for all of the major characters.

Viking Press released a slightly edited version of the original manuscript titled On the Road: The Original Scroll (August 1. This version has been transcribed and edited by English academic and novelist Dr. Howard Cunnell. As well as containing material that was excised from the original draft due to its explicit nature, the scroll version also uses the real names of the protagonists, so Dean Moriarty becomes Neal Cassady and Carlo Marx becomes Allen Ginsberg, etc.[1. In 2. 00. 7, Gabriel Anctil, a journalist of Montreal daily Le Devoir, discovered in Kerouac's personal archives in New York almost 2.

Quebec French, with colloquialisms. The collection included 1. On the Road, written on January 1. The date of the writings makes Kerouac one of the earliest known authors to use colloquial Quebec French in literature.[1. The original scroll of On The Road was bought in 2. Jim Irsay for $2.

It has occasionally been made available for public viewing, with the first 3. Between 2. 00. 4 and 2.

United States, Ireland, and the UK. It was exhibited in Paris in the summer of 2. The two main characters of the book are the narrator, Sal Paradise, and his friend Dean Moriarty, much admired for his carefree attitude and sense of adventure, a free- spirited maverick eager to explore all kicks and an inspiration and catalyst for Sal's travels. The novel contains five parts, three of them describing road trips with Moriarty. The narrative takes place in the years 1. Americana, and marks a specific era in jazz history, "somewhere between its Charlie Parker. Ornithology period and another period that began with Miles Davis." The novel is largely autobiographical, Sal being the alter ego of the author and Dean standing for Neal Cassady.

Part One[edit]The first section describes Sal's first trip to San Francisco. Disheartened after a divorce, his life changes when he meets Dean Moriarty, who is "tremendously excited with life," and begins to long for the freedom of the road: "Somewhere along the line I knew there would be girls, visions, everything; somewhere along the line the pearl would be handed to me." He sets off in July 1. After taking several buses and hitchhiking, he arrives in Denver, where he hooks up with Carlo Marx, Dean, and their friends. There are parties—among them an excursion to the ghost town of Central City. Eventually Sal leaves by bus and gets to San Francisco, where he meets Remi Boncoeur and his girlfriend Lee Ann.

Remi arranges for Sal to take a job as a night watchman at a boarding camp for merchant sailors waiting for their ship. Not holding this job for long, Sal hits the road again. Oh, where is the girl I love?" he wonders. Soon he meets Terry, the "cutest little Mexican girl," on the bus to Los Angeles. They stay together, traveling back to Bakersfield, then to Sabinal, "her hometown," where her family works in the fields.

He meets Terry's brother Ricky, who teaches him the true meaning of "mañana" ("tomorrow"). Working in the cotton fields, Sal realizes that he is not made for this type of work. Leaving Terry behind, he takes the bus back to Times Square in New York City, bums a quarter off a preacher who looks the other way, and arrives at his Aunt's house in Paterson, just missing Dean, who had come to see him, by two days. Part Two[edit]In December 1. Sal is celebrating Christmas with his relatives in Testament, Virginia, when Dean shows up with Marylou (having left his second wife, Camille, and their newborn baby, Amy, in San Francisco) and Ed Dunkel.

Sal's Christmas plans are shattered as "now the bug was on me again, and the bug's name was Dean Moriarty." First they drive to New York, where they meet Carlo and party. Dean wants Sal to make love to Marylou, but Sal declines. In Dean's Hudson they take off from New York in January 1. New Orleans. In Algiers they stay with the morphine- addicted Old Bull Lee and his wife Jane. Galatea Dunkel joins her husband in New Orleans while Sal, Dean, and Marylou continue their trip. Once in San Francisco, Dean again leaves Marylou to be with Camille. Dean will leave you out in the cold anytime it is in the interest of him," Marylou tells Sal.

Both of them stay briefly in a hotel, but soon she moves out, following a nightclub owner. Sal is alone and on Market Street has visions of past lives, birth, and rebirth. Dean finds him and invites him to stay with his family. Together, they visit nightclubs and listen to Slim Gaillard and other jazz musicians. The stay ends on a sour note: "what I accomplished by coming to Frisco I don't know," and Sal departs, taking the bus back to New York. Part Three[edit]In the spring of 1. Sal takes a bus from New York to Denver.

He is depressed and lonesome; none of his friends are around.

Tom Waits - Wikipedia. Thomas Alan Waits (born December 7, 1. American singer- songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding as though "it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car".[2] Waits has built up a distinctive musical persona with his trademark growl, his incorporation of pre- rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music.[1] He has worked as a composer for movies and musicals and has acted in supporting roles in films, including Paradise Alley and Bram Stoker's Dracula.[3] He also starred in Jim Jarmusch's 1. Down by Law. He was nominated for an Academy Award for his soundtrack work on One from the Heart. Waits' lyrics frequently present atmospheric portraits of grotesque, often seedy characters and places, although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support.

His songs are best- known through cover versions by more commercial artists: "Jersey Girl" performed by Bruce Springsteen, "Ol' '5. Eagles, and "Downtown Train" by Rod Stewart. Waits' albums have met with mixed commercial success in his native United States, although they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for the albums Bone Machine and Mule Variations.

In 2. 01. 1, Waits was inducted into the Rock and Roll Hall of Fame.[4][5] He is also included among the 2. Rolling Stone's 1. Greatest Singers,[6] as well as the 2. Rolling Stone's 1. Greatest Songwriters of All Time. Waits lives in Sonoma County, California with his wife and frequent collaborator Kathleen Brennan (married August 1. Early life[edit]Waits was born at Park Avenue Hospital in Pomona, California, the son of schoolteachers Alma Fern (née Johnson) Mc. Watch Online Watch Wanted Full Movie Online Film.

Murray and Jesse Frank Waits.[7][8] His parents divorced in 1. Whittier, California and then moved to National City near the Mexico–United States border.[9]Waits taught himself how to play the piano on a neighbor's instrument. He often took trips to Mexico with his father, who taught Spanish. He says that he found his love of music during those trips through a Mexican ballad that was "probably a Ranchera, you know, on the car radio with my dad".[1. He began playing in an R& B band called The Systems by 1.

Hilltop High School in Chula Vista, California.[8] His first job was at Napoleone Pizza House in National City, about which he sings in "I Can't Wait to Get Off Work (And See My Baby on Montgomery Avenue)" on Small Change, and also in "The Ghosts of Saturday Night (After Hours at Napoleone's Pizza House)" on The Heart of Saturday Night).[7] He later admitted that he was not a fan of 1. I wasn't thrilled by Blue Cheer, so I found an alternative, even if it was Bing Crosby."[1. Five years later, he was working as a doorman at the Heritage nightclub in San Diego where artists of every genre performed, and he performed his first paid gig for $6.[7] He was a fan of Bob Dylan, Lord Buckley, Jack Kerouac, Louis Armstrong, Howlin' Wolf, and Charles Bukowski, but he began developing his own idiosyncratic musical style. After serving with the United States Coast Guard,[1. Monday nights at The Troubadour in Los Angeles, where musicians would line up all day for the opportunity to perform on stage that night. In 1. 97. 1, Waits moved to the Echo Park neighborhood of L. A. (at the time, also home to musicians Glenn Frey of the Eagles, J.

D. Souther, Jackson Browne, and Frank Zappa) and signed with Herb Cohen at the age of 2. From August to December 1. Waits made a series of demo recordings for Zappa and Cohen's Bizarre/Straight label, including many songs for which he would later become known. These early tracks were released 2. The Early Years, Volume One and Volume Two. Waits signed to Asylum Records in 1.

Closing Time. The album was produced and arranged by former Lovin' Spoonful member Jerry Yester. It received positive reviews, but Waits didn't gain widespread attention until more prominent artists covered a number of the album's tracks.

Lee Hazlewood became one of the first major artists to cover a Tom Waits song, using the title variation "Those Were Days Of Roses (Martha)" on his album for Capitol "Poet, Fool, or Bum". Also in 1. 97. 3, Tim Buckley released the album Sefronia, which contained another cover version of Waits' song "Martha" from Closing Time.[1. This cover later appeared in the 1. Step Right Up: The Songs of Tom Waits. The album's opening track "Ol' '5. Eagles in 1. 97. 4 for their On the Border album.[1.

Waits began touring and opening for such artists as Charlie Rich, Martha and the Vandellas, and Frank Zappa. He received increasing critical acclaim and gathered a loyal cult following with his subsequent albums. The Heart of Saturday Night (1. Looking for) The Heart of Saturday Night" and revealed his roots as a nightclub performer, with half- spoken and half- crooned ballads often accompanied by a jazz backup band.[1.

Waits described the album as: a comprehensive study of a number of aspects of this search for the center of Saturday night, which Jack Kerouac relentlessly chased from one end of this country to the other, and I've attempted to scoop up a few diamonds of this magic that I see.[1. In 1. 97. 5, Waits moved to the Tropicana Motel on Santa Monica Boulevard[1.

Nighthawks at the Diner, recorded in a studio with a small audience in order to capture the ambience of a live show. The record exemplifies this phase of his career, including the lengthy spoken interludes between songs that punctuated his live act. That year, he also contributed backing vocals to Bonnie Raitt's "Your Sweet and Shiny Eyes" from her album Home Plate. By this time, Waits was drinking heavily, and life on the road was starting to take its toll.

I was sick through that whole period .. It was starting to wear on me, all the touring. I'd been traveling quite a bit, living in hotels, eating bad food, drinking a lot – too much. There's a lifestyle that's there before you arrive and you're introduced to it. It's unavoidable.[1. In reaction to these hardships, Waits recorded Small Change (1. The Piano Has Been Drinking (Not Me) (An Evening with Pete King)" and "Bad Liver and a Broken Heart (In Lowell)".

With the album, Waits asserted that he "tried to resolve a few things as far as this cocktail lounge, maudlin, crying- in- your- beer image that I have. There ain't nothin' funny about a drunk .. I was really starting to believe that there was something amusing and wonderfully American about being a drunk. I ended up telling myself to cut that shit out."[1. The album also included "Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen)"; it featured jazz drummer Shelly Manne and was heavily influenced by jazz, like his previous albums. Small Change was accompanied by the double A- side single "Step Right Up"/"The Piano Has Been Drinking"; it was a critical and commercial success and far outsold any of Waits's previous albums. With it, he broke onto Billboard's Top 1.

Albums chart for the first time in his career, a feat that he did not repeat until 1. Mule Variations.[2. This resulted in a much higher public profile, which brought with it interviews and articles in Time, Newsweek, and Vogue. Waits put together the touring band The Nocturnal Emissions, which featured Frank Vicari on tenor saxophone, Fitzgerald Jenkins on bass guitar, and Chip White on drums and vibraphone. Tom Waits and the Nocturnal Emissions toured the United States and Europe extensively from October 1. May 1. 97. 7,[2. 0] including a performance of "The Piano Has Been Drinking" on cult BBC2 television music show The Old Grey Whistle Test in May 1. Foreign Affairs (1.

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